This week we’re discussing the remaining albums by German krautrock pioneers CAN. Be sure to check out our first episode on this band where we detail the years with Malcom Mooney and Damo Suzuki. This era chronicles the awkward and strange later years, where guitarist Michael Karoli takes over vocals, as well as where bassist and founding member Holger Czukay leaves the band. It gets weird, you’ve been warned.
Read MoreWe Are Floored by Protomartyr's New Album
This week we’re discussing Protomartyr’s newest album, Formal Growth in the Desert. This band has been on our radar for a few years now, but this album shows a much darker side to the band. Truly heartbreaking songs that develop in brilliant ways over their short runtime. This isn’t an album to brush over—there is some incredible songwriting here that deserves your attention.
Read MoreEpisode 173: Mad Season
This week we’re discussing the one and only album by Mad Season—Above. A side project and supergroup made up of Layne Staley on vocals (Alice in Chains), Mike McCready on guitar (Pearl Jam), Barrett Martin on drums (Screaming Trees), John Baker Saunders on bass, with contributions from Mark Lanegan. Mad Season was short-lived but commercially successful. However, Staley’s erratic behavior and drug use ended any potential for long-term success that the band had and ultimately led to his death in 2002.
Read MoreSparks' New Album Is Delightful
This week we’re discussing the new album by Sparks, The Girl Is Crying in her Latte. Sparks have been putting out albums almost nonstop since the 1970s and have never lost their wit or creativity. Their latest album shows them still experimenting well into their 70s, which is incredible on its own, but more so when the songs are this catchy. Anyone in their right mind is already a fan of Sparks, so what are you waiting for?
Read MoreEpisode 172: Power Trip
This week we’re discussing every album by Power Trip. Formed in Dallas, TX, Power Trip was part of the wave of retro thrash metal in the mid to late 00s. However, they distinguished themselves through their raw and gritter approach when compared to some of their peers. So much so that they were nominated for a Grammy for the song “Executioner’s Tax (Swing of the Axe).” Their future, at the moment, is a bit uncertain after the sudden death of vocalist Riley Gale in 2020.
Read MoreHow Good Is the New QOTSA Album?
This week we’re discussing the latest album by Queens of the Stone Age, In Times New Roman… We’ve talked about Josh Homme on this show before (see our Kyuss and Them Crooked Vultures episodes), and much of how we feel about him hasn’t changed in terms of how he makes records. This album isn’t a huge jump in any direction, mostly just more of the same. But none of it is bad and if you’re a die hard fan, this record will scratch that itch.
Read MoreEpisode 171: Mr. Bungle
This week we’re discussing every album by Mr. Bungle. Known, among other reasons, for being underground legend Mike Patton’s first band, Mr. Bungle was one of the most unpredictable, insane, and brilliant groups to ever exist. Cramming 40 different genres into one song was normal for these guys and their musicianship was (and is) among the best in the world. They reunited in 2019 with Scott Ian of Anthrax and Dave Lombardo of Slayer to re-record their first demo. There is no prep for these guys—you just have to jump in.
Read MoreMike and Tom Debate Albums!
This week we’re mixing things up. Mike is in Berlin, Germany and decided to meet up with our history guy, Tom Osman, to go back into the EAE archives and debate some of our past picks. The Black Flag, Jane’s Addiction, Soundgarden, Swans, Husker Du, and Celtic Frost episodes, to be exact. From each of those episodes, Tom picked two albums to debate with Mike. Whose side are you on?
Read MoreEpisode 170: Swans (Pt. 3)
This week we’re finishing our series on Swans, covering every album from their reunion in 2010 all the way to their most recent 2023 release, The Beggar. This era of the band is a massive sonic force unlike any other in the world and is not for casual listening. 2 hour albums, 30 minute songs, punishing intensity, and gorgeous atmosphere and musicality. Through this era, Michael Gira proves his uncompromising artistic vision in ways few others in history can compete with. Prepare yourself.
Read MoreTop 10 Best Album Discoveries
This week we’re discussing our top 10 favorite albums we discovered through doing this podcast. We’ve covered a lot of discographies on this show, but these are the albums the completely caught us off guard. We would’ve never heard these were it not for this podcast and for you requesting so many of these great artists. Try and count how many times we said “masterpiece” in this episode. Which of these haven’t you heard before?
Read MoreJPEGMAFIA and Danny Brown Made a Masterpiece
This week we’re discussing Scaring the Hoes, the collab album between JPEGMAFIA and Danny Brown. You simply have to hear this album to believe it. Intricate and fast rhymes, sadistic and twisted samples, complex structures with incredibly hooky beats. Alex and Mike are hooked on this one and you all should be, too. Check it out ASAP.
Read MoreEpisode 169: Tim Buckley
This week we’re discussing every album by Tim Buckley. Known by many for his incredible vocal abilities, as well as being the father of Jeff Buckley, Tim had an extremely diverse and experimental career. While he started out as traditional 60s folk rock, he also ventured into crazy town with albums like Starsailor, before his notorious “Sex Funk” era in the 70s. Buckley overdosed on heroin at the age of 28, having only met his son once.
Read MoreThe Murder Capital's New Album Is Post-Punk Goodness
This week we’re discussing Gigi’s Recovery, the second and newest album by Irish post-punk band The Murder Capital. Mike and Alex disagree on this one, but even still, these guys are undeniably talented. This album is a stylistic departure from their 2019 debut album, When I Have Fears, to a softer, more post-punk direction. Deep and beautiful stuff that’s worth checking out.
Read MoreEpisode 168: Bleach03
This week we’re discussing every album by Bleach (or Bleach03, as they’re known in the US). Formed in Okinawa Japan by Kanna, Miya, and Sayuri, Bleach is an all-female, completely insane, high speed noise rock band. Even calling them noise rock is a disservice to how wonderfully unique and diverse the band is. The only thing you can predict about Bleach is that they’re brilliant musicians who aren’t afraid to get weird. Brace yourself.
Read MoreWe're Not Losing Our Minds Over Metallica's New Album
This week we’re discussing Metallica’s latest album, 72 Seasons. While this is far from their worst album and not awful overall, it does nothing we haven’t heard before. There are still standout moments, but it seems as though James Hetfield and Lars Ulrich aren’t interested in progressing their sound and style at all. If you enjoyed their previous album, you’ll probably enjoy this one. If not… well, you get the idea.
Read MoreEpisode 167: Burning Witch
This week we’re discussing every release by Burning Witch. To say this band is extreme is an almost dangerous understatement. Burning Witch is one of the slowest, heaviest doom/sludge/black metal bands you’ll ever hear. They had a very short existence, putting out only a couple EPs and some splits - their entire discography is available on one compilation. But it is not for the squeamish, we’ll tell you that much. Get ready.
Read MoreLoose Ends: The Lost Tracks of Danzig
[ORIGINALLY POSTED ON PATREON 2/11/22]
This week we're tying up some loose ends by discussing The Lost Tracks of Danzig. Released in 2007, this beefy compilation is packed with a ton of unreleased songs spanning the first 20 years of Danzig's career. This record is a must for any fans, especially since half of it is with the classic lineup (the Dream Team). We also go on tangents about Metallica, drumming, and Zach Hill. Don't forget to check out our full episode on Danzig if you haven't already!
Read MoreEpisode 166: Can (Pt. 1)
This week we’re discussing every album by Can from 1968 to 1973. In addition to helping pioneer krautrock, Can is arguably one of the most influential bands of all time. They’ve been sampled by countless artists and their style is both unmistakable and timeless. A wild and incredible band that never really got their due. This era of the band covers their stint with their most known vocalist, Damo Suzuki, as well as some of their most beloved albums. Everyone should know this band.
Read MoreLiturgy Is Reinventing Black Metal
This week we’re discussing 93696, the latest album by experimental black metal band Liturgy. Led by vocalist/guitarist Haela Hunt-Hendrix, Liturgy is a band that must be heard to be believed. While they are technically black metal, there are countless classical, experimental, orchestral, and even hip hop elements. Brutal beyond words and endlessly creative. This is a band that will alienate both normies and black metal purists alike.
Read MoreEpisode 165: Sunny Day Real Estate
This week we’re discussing every album by Sunny Day Real Estate. While they were a massive part of establishing emo as a genre in the mid to late 90s, you’d be a fool to dismiss these guys as just another emo band. Sunny Day has more in common with post-hardcore than with what we consider emo. Leave any biases at the door because this band rules.
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